Why I (Mostly) Stopped Posting To Youtube

Recently I was contacted by someone asking for audio from one of the rare records I have in my collection. The way I understood the question was that they wanted the audio to be available online so that people could hear it. I went ahead and posted it at dollarcountry.org (hear it here: https://dollarcountry.org/items/show/30693)

After this they responded asking if they could post it on youtube. I have yet to answer, partly because it made me think about why I stopped posting music to youtube, partly because I know I tend to get deep in the weeds thinking about matters like this and sometimes people don’t want that amount of explanation, and partly because I knew my response would make me sound like a wet blanket. The very basic answer is that I didn’t want Dollar Country’s digitization work to continue to be added to the portfolio of a private business. Beyond that I know that Google, owner of youtube, has contracts with the defense department and I didn’t want DC’s archiving work to in any way (even the tiniest amount) be associated with war funding. This question made me start to evaluate not only youtube, but how we, as a society, have come to donate so much time, effort, and work to gigantic corporations (meta [instagram/facebook], google, twitter etc) that create monetary and personal gain for some of the wealthiest organizations on the planet.

Early Youtube

I was around when youtube started, I remember hearing about it for the first time and being kind of flabbergasted by it’s library, but also underwhelmed by it’s quality. Before youtube it was fairly hard to get video online. You had to either download it or have it be self hosted, but streaming wasn’t really a thing yet. TV shows weren’t on demand. I had music videos of bands saved on my computer so I could watch them, some that I had to leave my computer on all night to download because of early 2000s download speeds and limits. So it was amazing to be able to find these videos, but also the quality was very low, so I still preferred the copies on my computer. Another thing I realized early on is that streaming is great, but what happens if a video gets taken down? Then you don’t have it, and I’m a collector, I like to have things when I need them.

Fast forward a couple years and I was at a small party and the music was provided completely by youtube open on a desktop computer. Before this I had really only seen it as a video website, but now people were simply playing Joni Mitchell songs from it. There wasn’t even a video, just a static image. This was probably 2006 or 2007. When Dollar Country started in 2016 youtube was already full of obscure music digitized from vinyl, not nearly as much as today, but if you found an obscure record for sale you could often find it there.

Combine this with the fact that facebook had expanded to anyone over the age of 13 in 2006 and myspace started in 2003 and you suddenly have access to an absolutely mind bending (for 2006 people) amount of things and other people. I doubt I can do it justice by explaining it here, but imagine if you could only see media that was on TV or that you or a friend physically held. It seems incredibly limited by today’s standards.

What Service Does Youtube Offer?

Now we take for granted that nearly everything is available online when we want it. When we can’t find something on youtube it’s a bummer, an outlier in our experience. This is the service that youtube provides right? Well, kind of. The thing is that they only provide the service, the media that we watch on youtube is almost entirely provided by other people, often as work that is volunteered even though we don’t normally see it that way. When you digitize an obscure record and upload it to youtube you have just volunteered your time to a company that has a profit of hundreds of billions of dollars a year.

But I wonder why do we do this? Because that’s not how it’s framed. For example: I upload videos of how to digitize records or clean records to instagram and youtube because my goal is to help other humans, it just so happens that google and meta allow me to get those videos to the biggest audiences. So when we post we think about creating a knowledge base for each other or making other people laugh, or maybe being able to make a little income for ourselves. I think this is excellent and amazing, and in many ways a shining light for humanity, that we want to share these things and help each other. I won’t deny the amazing things this has done for us. When you need to replace your car headlight you can find more than enough video tutorials. We get to see amazing slices of life from people who post their own videos that we wouldn’t have seen in 2001. The benefits are many.

The problem is that this public knowledge base we’re building isn’t public, it’s owned by someone. Ideally it would be publicly owned, or not owned at all. Not only is it owned by people, but it’s made people who are not us absolutely unfathomably rich to the point where they could afford to completely fund the work of hundreds of archivists and archives if they wanted to, but they don’t because we offer the work to them for free. In the early internet it felt more like a community project where we uploaded stuff for each other, then social media platforms told us that we were building our own brand by posting to their sites, and in the end we were building theirs. Sure, we built some of our own along the way, but the funnels mostly went to the owners of the platforms.

Would you submit your art, your architecture, your project to someone else to put in their portfolio to sell? Probably not, but this is what we’ve done and continue to do for giant corporations.

Also, I get it. When DC started I wanted to post stuff to youtube so people would find Dollar Country and think “wow this guy has some really cool rare records!” So I’m privileged that I don’t feel like I have to post to youtube to get people to know about me.

A Quick Note About Ownership

Before I get to the end I wanted to mention that I don’t own the music in the archives. I own the discs, but the music belongs to the makers of it. However I do think that archivists play an important part in the life cycle of the music and deserve to be compensated for it. My hunch is that many people post old music to youtube because they see it as a public service and want to share their collections. I ssume they also want to offer it for free because they don’t own it. But you do own your time.

When I talk about how I would like to be compensated for archiving it’s not about gatekeeping the music or feeling like I own it. It’s that it takes time, expertise, and gear to do. Even the most basic digitization takes a computer, a turntable, digital editing know-how, and the better part of an hour. It reminds me of something I heard painters say about the price of art. The reason a painting can be so expensive is because you’re paying for the work the artist put in over many years to get to the point where they could make the painting you love enough to want to purchase.

When a family member contacts me about their relatives record and I offer them a digital copy of it it seems like a very simple interaction. Behind that interaction is often years of unseen work. For that person to have found the record I had to build my database website, and for that record to be there I had to find it and buy it. But when we just see a song on youtube we don’t think about the unseen work of the people who realized it was worth saving.

Yeah OK Get To The Point

Remember when I said

I have yet to answer, partly because it made me think about why I stopped posting music to youtube, partly because I know I tend to get deep in the weeds thinking about matters like this and sometimes people don’t want that amount of explanation, and partly because I knew my response would make me sound like a wet blanket.

I think I’ve gotten pretty deep in the weeds with it. In the end my real answer is “why would I volunteer work to a company that can more than afford to pay me for it? Not only could they pay for it but it would be the equivalent of pocket change for them if they did.” I know that posting to youtube is the accepted norm and going aginst that makes me a wet blanket, I know that people just want to search on one website and find music and that any extra effort is seen as too much. I know the people who hit me up for audio to post on youtube are just trying to share it or build their own youtube channel, they’re not being rude, but at some point I feel like we, as a society, need to realize our worth and stop volunteering our work like this. It has become the norm to volunteer for huge corporations because we’ve been told it’s for our own benefit somehow.

So I stopped doing that. You don’t have to, I’m just sharing my thoughts. But I do want to speak to you, the person ripping vinyl and putting it on youtube. Value yourself, Value that you valued this music enough to save it and to spend your time to digitizing and sharing. You and your taste are important and unique.

The Future I Hope For

This is going to make me sound old and stale, but I miss the days of finding music on website and blogs instead of all in one place. The search for things often gives us appreciation for it, and in a world where music has been so devalued that spotify doesn’t even pay the majority of artists on it (while they take home billions) I think appreciation of music should be built up.

The music I share on DC is just as available as if it was on youtube. It’s just not on youtube, but if you search for it it’s on my website for free to listen to. You can send me an email and I’ll digitize things and share them ( researchrequest@dollarcountry.org ). Because something isn’t on one of the huge sites doesn’t mean you can’t listen to it. You often just have to do a quick internet search to find more.

My hope for the future is that we go back to having people share things on their own sites instead of all being volunteer workers for billion dollar companies. Finding curators who share music and tell the story of it instead of youtube videos. Let those curators show you new things instead of an algorithm built to make your browsing habits profitable.

If you got this far then share a good blog or record you hear about somewhere besides youtube!

Dollar Country is a huge puzzle

I love puzzles, I do one every day, often more than one. Generally it’s something that takes 20-40 minutes and can be finished in the morning before I get to whatever tasks I have. Right now I’m on a Sudoku kick.

As I was thinking about what to write in this particular blog post and how my life lately has had a lot of puzzles in it (the normal kind you find in a newspaper), I thought that maybe it was time for me to post something completely unrelated to Dollar Country here. As this was rolling over in my brain I realized that it is completely related because Dollar Country is just a huge puzzle that never ends.

Just recently I learned about the type of sudoku pictured above called Clueless Sudoku. It’s a huge 27×27 square that contains 9 separate puzzles but the interior square of each of those forms another interconnected Sudoku. This is the exact sort of thing I love, when you can really dig in and have a puzzle last multiple hours or even days. It feels like when you watch a movie then watch it with commentary and then watch the making-of documentary, it just keeps rewarding you on something you really want to learn about. This is big for a puzzle, but small compared to Dollar Country.

DC is like finding puzzle pieces in the real world and you know they have pieces that fit with them but you don’t know where are what they look like. One piece was in a thrift store in rural Virginia and a connecting piece was sent to me by a collector in Canada, how did these pieces end up so far away? The answer to the puzzle exists somewhere or perhaps some-when, mostly. When I find these records and research them I’m finding pieces of history and the people who made them are connected to each other in vast web that spans time and space but you have to research to find out how because it all happened 40+ years ago.

In that way I’ve dedicated my whole life to an unending, unfinishable puzzle. Eventually I’ll find enough pieces to put together some sort of idea of what happened in the past with all this music, but the whole story will never be known because it exists in the minds of millions of different people, many of whom are dead. The self-released 45 by someone in Berea Kentucky and an LP put out on a label from Louisville end up having the same backing band. The local record mogul in Lexington was the producer. Now, with just a few records, a picture starts to form about a community of musicians who knew and played with each other. It may turn out that one of them has a brother who also had a country career and released a few things in Cincinnati, now we’ve got another part of our puzzle coming into focus, and we can connect it a hundred other things through that city’s rich history of records and music.

Heat map of locations that the DC Archive has records from.

Cities like Cincinnati or Nashville are like the corner and edge pieces of a jigsaw puzzle. You can start with them and see how they connect into the more rural areas around them. Hundreds of artists from Ohio, Indiana, and Kentucky got their records pressed and/or released in Cincinnati and so the web of this puzzle and of history itself fills out and we get a clearer picture of it.

Dollar Country’s goal is to not only have the puzzle pieces but to try and lay it out in a way for other people to see it and add their own pieces. I’ve been adding dates and locations to records in the database and in the future I want to be able have maps that you can interact with by year. So if you set it to 1965 there will be points in the USA where records were released by artists in the database, settings to show you where those records were pressed and where those artists were from, and hopefully we will get a visual picture of how these tiny communities fit into bigger regional communities of artists and music.

Dollar Country is a puzzle with no end, but my hope is that we can have some cool pictures to look at even if we’re missing pieces.

How Much Music Has Been Shared On Dollar Country and How Much Music Can There Be?

How Much Music Has Been Shared On Dollar Country?
Since October 3 2016 there have been approximately 5495 songs played on Dollar Country. Some of those records got played more than once but I’m also missing a few things I didn’t keep track of, so I’d say that number is close to the mark. But I know what you’re really wondering: if I piled all the records I’ve played into a tower would that tower be taller than an average sized giraffe?

Lucky for you I’ve done the calculations and I can answer that for you.

The answer is yes.

Alright, so now you’re saying “sure they’re TALLER than a giraffe, but do they WEIGH more than a giraffe?” I’m not sure, I’d have to figure it out… just kidding I already did.

No I haven’t played more records than a giraffe by weight.

So now that your pressing questions have been answered I can say assuredly that DC has at least enough records to make another 500 episodes of the show. And those are just the records that are in house at the moment, I get more every week. And that is to say that…

New Shows Are Coming
It’s been two months since the kid got into full time daycare and I’ve had somewhere near full time to work on Dollar Country again. They’ve been a hectic couple of months tying up loose ends from the last two years and trying to remember what it even feels like to not be in survival mode constantly. Sometimes I have to remind myself that it’s OK to take a break and breathe because I have time now to actually finish things.

Well the boxes are off the floor, the rug has been vacuumed, I even organized all the power and audio cables under my workspace. It might finally be time to get back on a regular schedule. As it stands right now I’ve got shows penciled in every other week. Besides being a great way to keep things rolling here in DC World, they’re also the best way to share and connect with all you all who like the show.

So if you missed them, then they’ll be back. If you didn’t miss them, then they’ll be back anyway.

Cheers
Franklin

Every Episode of DC Now On The Website

Every episode from 001 (Oct 10th 2016) to 257 (Dec 17 2025) is now available to listen to on the website with a few exceptions. A handful of patron only shows are missing but otherwise they’re all there.

  1. Go to dollarcountry.org
  2. Click on “Radio Shows” on the side bar or the along the top of the page
  3. Click on any episode
  4. Enjoy

Don’t Know Where To Start? Here are some favorites:
(In no particular order)

  • EP 105: The Wedding Episode
    • In this episode I tell the story of how my wife and I met and play all love songs on the occasion of our wedding. This is a favorite among my family.
  • EP 130 – Pandemic Favorites
    • Where I play some of my favorite finds from the first year of the Covid-19 pandemic. There are some very strange songs in here.
  • EP 200 – Bushrangers And Drovers (All Australian Country)
    • This was my first episode where I spotlight Australian Country music, which I’ve grown to enjoy so much more since then.
  • EP 234 – Indigenous Country Music with Justis Brokenrope of Wathéča Records
    • During my paternity leave I asked some friends to do guest episodes, this was the first and features some great music from the Wathéča Records collection.
  • NTS 8, 9, & 10 – 50 States Project Trilogy
    • You can’t actually listen to these on the website, but they link to the NTS site where you can. I did a trilogy of shows where I played one song from each of the 50 United States. I’ve gotten great feedback from people about these shows.

I must admit that I don’t think I’m the best judge of the Dollar Country episodes because I made them and I love them all, but I think this is a pretty solid list. If you have a favorite please comment below and let me know!

Happy Listening
Franklin

ps. if you find any missing episodes, broken links, or other mistakes please let me know at host@dollarcountry.org or comment below.

Late January 2026: Behind the scenes organizing and mail. So much mail. Sale List!

Dollar Country studios is slowly getting cleaned up. This week I opened mail. A couple years ago I had the bright idea to assign a Source Number to every discogs or ebay user that I bought something from so I could have that history with the disc itself in the archive. That made opening mail a longer process than it used to be and so I often put it off until there’s a critical mass of boxes that I need to take of. So that’s what the picture up top is. At least I’ll never run out of 45 mailers!

LP Logging
Back in the newborn times of early 2024 I had a lot of time in the middle of the night when I had to be up with the newborn but he mostly slept. So I went through every box of 45s I had and logged them all on a private discogs account. This filled my time but it was also practical. I can’t tell you the amount of times I’ve bought a record online that I had already bought without remembering. So now I can check and see if I already have something.

Approximate amount of 45s left to add to the archive: 9803

Well I logged (most of) the 45s in 2024 but the LPs I had were still a mess. I had logged some of them but it was sporadic and not uniform in any way. Starting last week I got to work and started logging the LP shelves. I’ve logged about 1600, which seems tiny in comparison to the 45s, but that’s a lot of records!

Approximate amount of LPs left to add to the archive: 1625

Despite only having only about 15% the amount of LPs compared to 45s the LPs take up a huge amount of space. They’re just a bulky medium in comparison, but there’s so much stuff on LP that isn’t on 45 (and vice versa). The LP collection is much more focused on Country Gospel and private pressed records, whereas I have a ton of major label 45s that have made it into the collection. In doing this I’ve also found two full boxes of LPs I plan on selling that I have more than a couple copies of or don’t fit the criteria for me to keep. I keep at least 2 copies of any LP if I want them in the archive, so if I have more than that that are the same pressing those go into the sale box.

One last thing, the numbers above are just the records that are on discogs. I still have a large amount of things that have never been submitted, I might estimate about 10% of what I have, although that number is shrinking every day.

Sale List!
So I’ll be updating the sale list in the next few weeks to send out once again, and this time there will be 45s AND albums. I might even get fancy and grade everything even though that adds a lot of time.

If you’d like to be on the sale list email then drop me a line at host (at) dollar country (dot) org and I’ll send it your way once it’s ready.

Cheers
Franklin

Dec 2025 Updates: A Bummer Country Mix and Full Time Daycare

A Bummer Christmas Mix

Every December I think that I should make an Xmas mix and I usually don’t. I assume that if you want to hear holiday music then there are hundreds of other places to do that, so my addition would just be another link on your feed. Nonetheless people ask me to make them and I realize that it’s not about the amount of mixes, but that people respect my taste and want to hear specifically what Dollar Country can make out of it. This year I did something that I thought would stand out, all bummer Xmas songs.

Country music has a great tradition of sharing human emotions, often about things that people might not feel comfortable talking about with each other. For many, Christmas can be a difficult time of year. It reminds folks of who’s not there, who has been lost, and point out how happy other people seem, which can create difficult comparisons to your own situation. In the 60s and 70s a lot of families were affected by the war in Vietnam, and there is no lack of country songs about Christmas in Vietnam, Christmas without someone who’s in Vietnam, and the loss of a family member from the war.

My assumption was that people didn’t want to hear sad Xmas songs about loss, broken families, and death, but I had all of these singles about that stuff and I really wanted to share them. So the Bummer Xmas Mix was born. People loved it, give it a listen and tell me what you think.

*See tracklist below

Full Time Daycare

Years ago I studied abroad with someone who’s family had a child care business and at one point she told me that her mom would say “we don’t watch days, we watch children.” Whenever I say Daycare I always think about that because it’s true, it’s child care. Well we’re having our child watched now. It has opened up my week to be able to actually do DC again. I was hobbling along for the last two years but really I only had the time and energy to do whatever task was the highest priority on a given day, and sometimes not even that.

This affects you, dear listener, in a big way. I have had time in the last two weeks to put together the above Xmas mix, get a show ready to record, and do a bunch of other work that I had been neglecting. I’m hoping to be able to share more and more things with this new time I have. It has been on the front of my mind for the last two years that I want to be able to make more shows to share stuff, but the time I had to do it in wasn’t enough, and the product never felt completely up to snuff. Such is life with a newborn/baby/toddler. If I did manage to make an episode of DC it took up all of my available free time that week to put it together. Now I’m hoping to get back to somewhat regular releases, although I won’t set any schedule in stone.

That’s all the updates for today, I hope you have a holiday that’s slightly better than some of these folks:

Tommy Hestler – Daddy’s Drinking Up Our Christmas
Eleanor Wells – Christmas In Vietnam
Sullivan Family – Merry Christmas From Vietnam
Arlie Brady & The Cavaliers – Christmas Plea
Starla Parrish & The Parrish Bros – Is There A Santa Claus In Vietnam
Dallas McComb – Blind Christmas
Jack Cardwell – Christmas In Vietnam
Lena Hix – I Want My Daddy For Christmas
Bobby Myers – I Want A Mommy For Christmas
Brent Pace – I Won’t Be Home For Christmas
Bob Smith – Lonely At Christmas
Clyde Murphy – There’s A Christmas Tree In Heaven
Billy Egr – What Would Santa Claus Think
Mike Tuttle – Can Johnny Come Over For Christmas
Joyce Brown – Christmas In Viet Nam
Susan Wheeler – A Christmas Prayer
Royel Clark – Christmas Time Draws Near
Jim Eanes – It Won’t Seem Like Christmas
Commander Cody – Daddy’s Drinking Up Our Christmas

Psycho Zine is DONE / Acetate Project / End of August

I spent the last 4-6 weeks obsessively researching Psycho and now it’s done. I’ve handed in my final draft to be printed up. It’s not finished, but it’s all I can do now.

It’s available for sale on my big cartel as well. BUY IT HERE

I feel a bit like I just finished a marathon and I have to rest for a while before being able to digest all the information and talk about it. I’m not sure why this research gripped me in this way, but it did. For future editions I’d like to find some more information about the Noack version between 1968-1980. I’d also like to talk to some radio folks from the late 60s and get the lay of the land. Also I’m quite sure there is some insider info about K-Ark Records and I might know who has it but I’ll have to see.

For the rest of August I’m hoping to do a couple shows and publish them before my family and I head out of town for a few days. I pushed everything off because of the Psycho stuff, so now I’m going to try and work on some other things.

The other big news is that I received a grant for my acetate digitization project. I’ll be posting more about it later but, like I said, I’m needing a bit of rest and relaxation before I can get my brain together. Long story short, I got enough money to buy the gear I needed for this project. A new turntable with specific control adjusts, a set of archival grade styli for different old records, and a special eq box that allows me to get certain types of transfers. It’s all technical and I still feel like I barely understand it, but that’s the jist.

I’ll be transferring acetates in no time and posting them to my website. The point of this project is to get all of this music online free of charge for anyone who wants to hear it. Big thanks to the Ohio Arts Council for all of this.

Until next time, Cheers
Franklin

August Update: Psycho and other things

Howdy folks. I meant to update this more but here I am having waited months. Funny how that works, but I genuinely do enjoy writing the blog as opposed to every other social media option. Our world just kind of pushes us away from longer form writing sometimes, or that’s the way it feels. Immediacy and shouting your one-sentence thoughts into the void are much more common. I appreciate those of you who might spend 10 minutes to read this. 10 minutes is a lot of time to read one thing on the internet now.

That’s my way of saying that this is an update that’s been too long in coming.

Newsletter News

I’ve been working hard on the next newsletter. Way harder than I planned. I got the idea to write about the song Psycho, originally released by Eddie Noack, and it’s been a real rabbithole. The second I think I’ve reached the end of one thread I find another to investigate, and so it’s coming eventually. I put together a price history of known sales going back to 2006.

The reason I’ve put it together is because I think that to really write about Psycho I want to offer the context of what it means to collectors and it’s general reputation as THEE rare country record. That’s been shown in the price over the years. In 2006 it sold for $158 which is a lot for most country records now in 2025 but was a hell of a lot back then. Accounting for inflation that’s $252 today. Just this year it has sold for a record $961 (1450 AUD), which jump started a bit of a selling frenzy. Just in the last month I’ve seen three copies listed on private groups in the $500 range, two of them selling within the day.

So that context is important to show what it means to collectors, but the most interesting thing I’ve found is that there are a few mentions of Psycho early on when it first came out. The common assumption I’ve heard is that it must have flopped when it came out because it was just too weird and immediately gone into obscurity. That doesn’t seem to be the case completely, I think that happened to some degree but there are a few notes in old magazines saying it had become a favorite at certain stations and was getting requested a lot. Not enough to make it a household name, but it’s more than nothing.

The dark spot for my research is what happens between it’s release in 1968 and it’s inclusion on compilations in the mid to late 80s. The Noack version seems to have been relatively obscure until it was put on the Wavy Gravy compilation, and the Jack Kittel version was relatively well known in that time period. So far I’ve got enough information to write a pretty decent zine if not a very small book on just this record and it’s history, which is much, much more than I was expecting.

That’s where I am now. I’ve got about 10 pages of newsletter to put together in what is normally a 4-6 page printing. All in all that makes me feel great because I’ve never really put this much work into a piece before and having it come together in a way that I think reads well is very rewarding.

Newsletter Note: I was selling newsletters as “Months” but now they’re just “Issues.” So if you bought 12 months worth of newsletter you’ll get 12 issues, I’m not gonna make you pay for three months and only get one mailing in that time.

If you’d like to get the newsletter when it comes out you can subscribe to it on the big cartel.

https://dollarcountry.bigcartel.com/product/physical-newsletter

Database News

I asked for someone who could help with some database stuff and Zach responded, which means there are some updates happening. He made a thing that puts stats at the top of certain pages that I can’t wait to utilize more. It says how many records by how many artists and labels are in the DB on certain pages.

He also made something to add all the releases by an artist to that artist’s page.

The DB is still not super polished but I’m very excited to be having this stuff done and I couldn’t have done it at all with out Zach’s help.

Browse the database and see for yourself. And feel free to suggest any improvements you’d want to see!

Cheers
Franklin