Why I (Mostly) Stopped Posting To Youtube

Recently I was contacted by someone asking for audio from one of the rare records I have in my collection. The way I understood the question was that they wanted the audio to be available online so that people could hear it. I went ahead and posted it at dollarcountry.org (hear it here: https://dollarcountry.org/items/show/30693)

After this they responded asking if they could post it on youtube. I have yet to answer, partly because it made me think about why I stopped posting music to youtube, partly because I know I tend to get deep in the weeds thinking about matters like this and sometimes people don’t want that amount of explanation, and partly because I knew my response would make me sound like a wet blanket. The very basic answer is that I didn’t want Dollar Country’s digitization work to continue to be added to the portfolio of a private business. Beyond that I know that Google, owner of youtube, has contracts with the defense department and I didn’t want DC’s archiving work to in any way (even the tiniest amount) be associated with war funding. This question made me start to evaluate not only youtube, but how we, as a society, have come to donate so much time, effort, and work to gigantic corporations (meta [instagram/facebook], google, twitter etc) that create monetary and personal gain for some of the wealthiest organizations on the planet.

Early Youtube

I was around when youtube started, I remember hearing about it for the first time and being kind of flabbergasted by it’s library, but also underwhelmed by it’s quality. Before youtube it was fairly hard to get video online. You had to either download it or have it be self hosted, but streaming wasn’t really a thing yet. TV shows weren’t on demand. I had music videos of bands saved on my computer so I could watch them, some that I had to leave my computer on all night to download because of early 2000s download speeds and limits. So it was amazing to be able to find these videos, but also the quality was very low, so I still preferred the copies on my computer. Another thing I realized early on is that streaming is great, but what happens if a video gets taken down? Then you don’t have it, and I’m a collector, I like to have things when I need them.

Fast forward a couple years and I was at a small party and the music was provided completely by youtube open on a desktop computer. Before this I had really only seen it as a video website, but now people were simply playing Joni Mitchell songs from it. There wasn’t even a video, just a static image. This was probably 2006 or 2007. When Dollar Country started in 2016 youtube was already full of obscure music digitized from vinyl, not nearly as much as today, but if you found an obscure record for sale you could often find it there.

Combine this with the fact that facebook had expanded to anyone over the age of 13 in 2006 and myspace started in 2003 and you suddenly have access to an absolutely mind bending (for 2006 people) amount of things and other people. I doubt I can do it justice by explaining it here, but imagine if you could only see media that was on TV or that you or a friend physically held. It seems incredibly limited by today’s standards.

What Service Does Youtube Offer?

Now we take for granted that nearly everything is available online when we want it. When we can’t find something on youtube it’s a bummer, an outlier in our experience. This is the service that youtube provides right? Well, kind of. The thing is that they only provide the service, the media that we watch on youtube is almost entirely provided by other people, often as work that is volunteered even though we don’t normally see it that way. When you digitize an obscure record and upload it to youtube you have just volunteered your time to a company that has a profit of hundreds of billions of dollars a year.

But I wonder why do we do this? Because that’s not how it’s framed. For example: I upload videos of how to digitize records or clean records to instagram and youtube because my goal is to help other humans, it just so happens that google and meta allow me to get those videos to the biggest audiences. So when we post we think about creating a knowledge base for each other or making other people laugh, or maybe being able to make a little income for ourselves. I think this is excellent and amazing, and in many ways a shining light for humanity, that we want to share these things and help each other. I won’t deny the amazing things this has done for us. When you need to replace your car headlight you can find more than enough video tutorials. We get to see amazing slices of life from people who post their own videos that we wouldn’t have seen in 2001. The benefits are many.

The problem is that this public knowledge base we’re building isn’t public, it’s owned by someone. Ideally it would be publicly owned, or not owned at all. Not only is it owned by people, but it’s made people who are not us absolutely unfathomably rich to the point where they could afford to completely fund the work of hundreds of archivists and archives if they wanted to, but they don’t because we offer the work to them for free. In the early internet it felt more like a community project where we uploaded stuff for each other, then social media platforms told us that we were building our own brand by posting to their sites, and in the end we were building theirs. Sure, we built some of our own along the way, but the funnels mostly went to the owners of the platforms.

Would you submit your art, your architecture, your project to someone else to put in their portfolio to sell? Probably not, but this is what we’ve done and continue to do for giant corporations.

Also, I get it. When DC started I wanted to post stuff to youtube so people would find Dollar Country and think “wow this guy has some really cool rare records!” So I’m privileged that I don’t feel like I have to post to youtube to get people to know about me.

A Quick Note About Ownership

Before I get to the end I wanted to mention that I don’t own the music in the archives. I own the discs, but the music belongs to the makers of it. However I do think that archivists play an important part in the life cycle of the music and deserve to be compensated for it. My hunch is that many people post old music to youtube because they see it as a public service and want to share their collections. I ssume they also want to offer it for free because they don’t own it. But you do own your time.

When I talk about how I would like to be compensated for archiving it’s not about gatekeeping the music or feeling like I own it. It’s that it takes time, expertise, and gear to do. Even the most basic digitization takes a computer, a turntable, digital editing know-how, and the better part of an hour. It reminds me of something I heard painters say about the price of art. The reason a painting can be so expensive is because you’re paying for the work the artist put in over many years to get to the point where they could make the painting you love enough to want to purchase.

When a family member contacts me about their relatives record and I offer them a digital copy of it it seems like a very simple interaction. Behind that interaction is often years of unseen work. For that person to have found the record I had to build my database website, and for that record to be there I had to find it and buy it. But when we just see a song on youtube we don’t think about the unseen work of the people who realized it was worth saving.

Yeah OK Get To The Point

Remember when I said

I have yet to answer, partly because it made me think about why I stopped posting music to youtube, partly because I know I tend to get deep in the weeds thinking about matters like this and sometimes people don’t want that amount of explanation, and partly because I knew my response would make me sound like a wet blanket.

I think I’ve gotten pretty deep in the weeds with it. In the end my real answer is “why would I volunteer work to a company that can more than afford to pay me for it? Not only could they pay for it but it would be the equivalent of pocket change for them if they did.” I know that posting to youtube is the accepted norm and going aginst that makes me a wet blanket, I know that people just want to search on one website and find music and that any extra effort is seen as too much. I know the people who hit me up for audio to post on youtube are just trying to share it or build their own youtube channel, they’re not being rude, but at some point I feel like we, as a society, need to realize our worth and stop volunteering our work like this. It has become the norm to volunteer for huge corporations because we’ve been told it’s for our own benefit somehow.

So I stopped doing that. You don’t have to, I’m just sharing my thoughts. But I do want to speak to you, the person ripping vinyl and putting it on youtube. Value yourself, Value that you valued this music enough to save it and to spend your time to digitizing and sharing. You and your taste are important and unique.

The Future I Hope For

This is going to make me sound old and stale, but I miss the days of finding music on website and blogs instead of all in one place. The search for things often gives us appreciation for it, and in a world where music has been so devalued that spotify doesn’t even pay the majority of artists on it (while they take home billions) I think appreciation of music should be built up.

The music I share on DC is just as available as if it was on youtube. It’s just not on youtube, but if you search for it it’s on my website for free to listen to. You can send me an email and I’ll digitize things and share them ( researchrequest@dollarcountry.org ). Because something isn’t on one of the huge sites doesn’t mean you can’t listen to it. You often just have to do a quick internet search to find more.

My hope for the future is that we go back to having people share things on their own sites instead of all being volunteer workers for billion dollar companies. Finding curators who share music and tell the story of it instead of youtube videos. Let those curators show you new things instead of an algorithm built to make your browsing habits profitable.

If you got this far then share a good blog or record you hear about somewhere besides youtube!

Dollar Country is a huge puzzle

I love puzzles, I do one every day, often more than one. Generally it’s something that takes 20-40 minutes and can be finished in the morning before I get to whatever tasks I have. Right now I’m on a Sudoku kick.

As I was thinking about what to write in this particular blog post and how my life lately has had a lot of puzzles in it (the normal kind you find in a newspaper), I thought that maybe it was time for me to post something completely unrelated to Dollar Country here. As this was rolling over in my brain I realized that it is completely related because Dollar Country is just a huge puzzle that never ends.

Just recently I learned about the type of sudoku pictured above called Clueless Sudoku. It’s a huge 27×27 square that contains 9 separate puzzles but the interior square of each of those forms another interconnected Sudoku. This is the exact sort of thing I love, when you can really dig in and have a puzzle last multiple hours or even days. It feels like when you watch a movie then watch it with commentary and then watch the making-of documentary, it just keeps rewarding you on something you really want to learn about. This is big for a puzzle, but small compared to Dollar Country.

DC is like finding puzzle pieces in the real world and you know they have pieces that fit with them but you don’t know where are what they look like. One piece was in a thrift store in rural Virginia and a connecting piece was sent to me by a collector in Canada, how did these pieces end up so far away? The answer to the puzzle exists somewhere or perhaps some-when, mostly. When I find these records and research them I’m finding pieces of history and the people who made them are connected to each other in vast web that spans time and space but you have to research to find out how because it all happened 40+ years ago.

In that way I’ve dedicated my whole life to an unending, unfinishable puzzle. Eventually I’ll find enough pieces to put together some sort of idea of what happened in the past with all this music, but the whole story will never be known because it exists in the minds of millions of different people, many of whom are dead. The self-released 45 by someone in Berea Kentucky and an LP put out on a label from Louisville end up having the same backing band. The local record mogul in Lexington was the producer. Now, with just a few records, a picture starts to form about a community of musicians who knew and played with each other. It may turn out that one of them has a brother who also had a country career and released a few things in Cincinnati, now we’ve got another part of our puzzle coming into focus, and we can connect it a hundred other things through that city’s rich history of records and music.

Heat map of locations that the DC Archive has records from.

Cities like Cincinnati or Nashville are like the corner and edge pieces of a jigsaw puzzle. You can start with them and see how they connect into the more rural areas around them. Hundreds of artists from Ohio, Indiana, and Kentucky got their records pressed and/or released in Cincinnati and so the web of this puzzle and of history itself fills out and we get a clearer picture of it.

Dollar Country’s goal is to not only have the puzzle pieces but to try and lay it out in a way for other people to see it and add their own pieces. I’ve been adding dates and locations to records in the database and in the future I want to be able have maps that you can interact with by year. So if you set it to 1965 there will be points in the USA where records were released by artists in the database, settings to show you where those records were pressed and where those artists were from, and hopefully we will get a visual picture of how these tiny communities fit into bigger regional communities of artists and music.

Dollar Country is a puzzle with no end, but my hope is that we can have some cool pictures to look at even if we’re missing pieces.

How Much Music Has Been Shared On Dollar Country and How Much Music Can There Be?

How Much Music Has Been Shared On Dollar Country?
Since October 3 2016 there have been approximately 5495 songs played on Dollar Country. Some of those records got played more than once but I’m also missing a few things I didn’t keep track of, so I’d say that number is close to the mark. But I know what you’re really wondering: if I piled all the records I’ve played into a tower would that tower be taller than an average sized giraffe?

Lucky for you I’ve done the calculations and I can answer that for you.

The answer is yes.

Alright, so now you’re saying “sure they’re TALLER than a giraffe, but do they WEIGH more than a giraffe?” I’m not sure, I’d have to figure it out… just kidding I already did.

No I haven’t played more records than a giraffe by weight.

So now that your pressing questions have been answered I can say assuredly that DC has at least enough records to make another 500 episodes of the show. And those are just the records that are in house at the moment, I get more every week. And that is to say that…

New Shows Are Coming
It’s been two months since the kid got into full time daycare and I’ve had somewhere near full time to work on Dollar Country again. They’ve been a hectic couple of months tying up loose ends from the last two years and trying to remember what it even feels like to not be in survival mode constantly. Sometimes I have to remind myself that it’s OK to take a break and breathe because I have time now to actually finish things.

Well the boxes are off the floor, the rug has been vacuumed, I even organized all the power and audio cables under my workspace. It might finally be time to get back on a regular schedule. As it stands right now I’ve got shows penciled in every other week. Besides being a great way to keep things rolling here in DC World, they’re also the best way to share and connect with all you all who like the show.

So if you missed them, then they’ll be back. If you didn’t miss them, then they’ll be back anyway.

Cheers
Franklin

Late January 2026: Behind the scenes organizing and mail. So much mail. Sale List!

Dollar Country studios is slowly getting cleaned up. This week I opened mail. A couple years ago I had the bright idea to assign a Source Number to every discogs or ebay user that I bought something from so I could have that history with the disc itself in the archive. That made opening mail a longer process than it used to be and so I often put it off until there’s a critical mass of boxes that I need to take of. So that’s what the picture up top is. At least I’ll never run out of 45 mailers!

LP Logging
Back in the newborn times of early 2024 I had a lot of time in the middle of the night when I had to be up with the newborn but he mostly slept. So I went through every box of 45s I had and logged them all on a private discogs account. This filled my time but it was also practical. I can’t tell you the amount of times I’ve bought a record online that I had already bought without remembering. So now I can check and see if I already have something.

Approximate amount of 45s left to add to the archive: 9803

Well I logged (most of) the 45s in 2024 but the LPs I had were still a mess. I had logged some of them but it was sporadic and not uniform in any way. Starting last week I got to work and started logging the LP shelves. I’ve logged about 1600, which seems tiny in comparison to the 45s, but that’s a lot of records!

Approximate amount of LPs left to add to the archive: 1625

Despite only having only about 15% the amount of LPs compared to 45s the LPs take up a huge amount of space. They’re just a bulky medium in comparison, but there’s so much stuff on LP that isn’t on 45 (and vice versa). The LP collection is much more focused on Country Gospel and private pressed records, whereas I have a ton of major label 45s that have made it into the collection. In doing this I’ve also found two full boxes of LPs I plan on selling that I have more than a couple copies of or don’t fit the criteria for me to keep. I keep at least 2 copies of any LP if I want them in the archive, so if I have more than that that are the same pressing those go into the sale box.

One last thing, the numbers above are just the records that are on discogs. I still have a large amount of things that have never been submitted, I might estimate about 10% of what I have, although that number is shrinking every day.

Sale List!
So I’ll be updating the sale list in the next few weeks to send out once again, and this time there will be 45s AND albums. I might even get fancy and grade everything even though that adds a lot of time.

If you’d like to be on the sale list email then drop me a line at host (at) dollar country (dot) org and I’ll send it your way once it’s ready.

Cheers
Franklin

Jan 2026: Streaming Server, Digital Organization, and Gospel Mixtape

Dollar Country ended 2025 with a lot of work that is invisible to the outside world, although it’s work that is incredibly important. I’ve taken on the task of organizing DC’s digital files. This got kicked off by my project to host a small streaming service for myself.

Dollar Country Streaming Server
I found myself without a streaming service last month and after thinking about what I wanted to do and trying a few things I decided not to pay for one at all. They’ve always felt unfortunate to me anyway, so this way I don’t have to feel like I’m supporting a system that is generally exploitative of the artists who make it possible. Multiple people had suggested I try self hosting my own music so I could listen to my collection via streaming instead of paying for a service. It seemed like a lot of work at first but after consideration I thought it made a lot of sense.

Plex is a streaming service that allows you to host your own media server. Many people use it for TV shows and movies, but it also works with music. Considering that the vast majority of music in the Dollar Country archive isn’t on any streaming service then this would allow me to actually be able to hear this stuff outside of putting the records on. I love putting on a record, but now I can listen to obscure country gospel LPs while I’m driving or out of the house. Ideally this streaming server would be available to many others, but I’m not entirely sure how that would work from a logistics and legal standpoint.

Digital Organization
Starting the Plex server made me realize that my digital files needed to be organized. In the last 9 years I’ve taken pictures of thousands of records and created tends of thousands of photos. According to windows I’ve got 27,709 label pictures that take up 33.5 gigabytes of space. This work is largely invisible to the outside world but I’ve found it to be very important to the work of archiving. If my folders are all mixed up and only I know how they are set up then that only helps me, when I standardize their organization it can be helpful to anyone who looks at it.

Over the years I’ve accumulated hundreds of newspaper clippings, thousands of pictures, and thousands of audio files that are all located in different folders. By the end of 2026 I aim to have all of this digital information organized so that when you click on the Eddie Noack folder you have folders for clippings, pictures of records, and audio instead of them being in three different places. From there I hope to be able to have audio digitized of large swaths of the collection to share. This information is great to have, but my goal is to have it available to people that aren’t me, so that’s where I’m trying to shift my focus this year. This is going to require a tremendous amount of work, if you’d like to help with data entry on the database then drop me a line at host@dollarcountry.org.

Gospel Mixtape
The biggest change that’s happened with having a streaming server is that I’ve gotten to spend much more time with the country gospel LPs in the archive. I love putting on a record and giving it a listen, but the huge volume of records in the archive prohibit me from actually doing that. When I have time to listen to the records I prioritize digitizing new ones and adding them to the stacks, so relistening rarely happens. Now that I can listen in the car I’ve been spending some serious time with these records and putting certain songs away for a mixtape I’d like to release. Gospel music spends a lot of time singing about getting to the other side. Death or what happens after. Having grown up non-religious, I find this very interesting and after asking people about this I’ve found that it is generally of interest to a lot of people.

So by following this thread of cancelling a streaming service we arrive at a large scale digital reorganization and a new DC mixtape. It’s interesting how following these paths can lead to places you never thought of at first.

See you next time,
Frank The Drifter

LP Arrivals, NTS Xmas Show, State Of The Archive 2025

State Of The Archive 2025
2025 was a year of adaptation for Dollar Country. After having our baby in late 2023 I scrambled with what to do in 2024. DC started a newsletter, tried to still release a ton of episodes, and generally tried to do too much. For 2025 my goal was to slow down and get an idea of not what could be done but what should be done. So here’s the rundown:

  1. First Full Year As A Non Profit
    2025 was the first full year that Dollar Country was a non-profit organization. It was also the first year where DC received any sort of grant money, which was part of the reasoning in going for non-profit status. With help from my friend, non-profit guru, and supporter Max Paley, we were able to apply for a few grants, eventually receiving one from the Ohio Arts Council to help with our project to digitize many old, odd, and unloved discs that are in the collection. (See the Dollar Country Acetate Project)
  2. The Newsletter
    When it started I had intended on the newsletter to be every month, that quickly proved to be unsustainable. Now I think of it more as a bucket that slowly fills with ideas to write about, once the bucket is full the newsletter gets written and sent out. I’ve also stopped posting it online except to patrons. That wasn’t intentional at first. I kept hearing bad things about substack and so I wanted to switch platforms, but I just didn’t have time to think about it. I’d still like to post it online somewhere but I also kind of enjoy the community of just sending out the physical version. I’m not making any promises with how this will work in 2026, but I haven’t lost my interest in writing and designing the newsletter.
  3. Goals For 2026
    Next October is the 10 year anniversary of Dollar Country. I have a short list of goals for October that include having every 45 pictured, adding more audio, and having every show page updated with links to the records. Tentatively I have a big show planned for the 10 year anniversary, but, once again, I won’t be making any promises until I know I can keep them.
  4. How To Support Dollar Country
    • The best way is to join the patreon
    • Send a one time donation via
      • paypal – host@dollarcountry.org
      • venmo – @dollarcountry
      • cashapp – $dollarcountry
    • Tell a friend! Let someone know about what I do!

LP New Arrivals
Below are the records I’ve listened to and logged since last time.

NTS Xmas
My bi-monthly episode on NTS radio was right before Christmas this year so why not do a Christmas show? You can hear it here: https://www.nts.live/shows/dollar-country/episodes/dollar-country-20th-december-2025

Thanks For Reading
If you need to contact me for anything, feel free to drop me a line in the comments or email me at host at dollarcountry dot org

Cheers
Franklin

Dec 2025 Updates: A Bummer Country Mix and Full Time Daycare

A Bummer Christmas Mix

Every December I think that I should make an Xmas mix and I usually don’t. I assume that if you want to hear holiday music then there are hundreds of other places to do that, so my addition would just be another link on your feed. Nonetheless people ask me to make them and I realize that it’s not about the amount of mixes, but that people respect my taste and want to hear specifically what Dollar Country can make out of it. This year I did something that I thought would stand out, all bummer Xmas songs.

Country music has a great tradition of sharing human emotions, often about things that people might not feel comfortable talking about with each other. For many, Christmas can be a difficult time of year. It reminds folks of who’s not there, who has been lost, and point out how happy other people seem, which can create difficult comparisons to your own situation. In the 60s and 70s a lot of families were affected by the war in Vietnam, and there is no lack of country songs about Christmas in Vietnam, Christmas without someone who’s in Vietnam, and the loss of a family member from the war.

My assumption was that people didn’t want to hear sad Xmas songs about loss, broken families, and death, but I had all of these singles about that stuff and I really wanted to share them. So the Bummer Xmas Mix was born. People loved it, give it a listen and tell me what you think.

*See tracklist below

Full Time Daycare

Years ago I studied abroad with someone who’s family had a child care business and at one point she told me that her mom would say “we don’t watch days, we watch children.” Whenever I say Daycare I always think about that because it’s true, it’s child care. Well we’re having our child watched now. It has opened up my week to be able to actually do DC again. I was hobbling along for the last two years but really I only had the time and energy to do whatever task was the highest priority on a given day, and sometimes not even that.

This affects you, dear listener, in a big way. I have had time in the last two weeks to put together the above Xmas mix, get a show ready to record, and do a bunch of other work that I had been neglecting. I’m hoping to be able to share more and more things with this new time I have. It has been on the front of my mind for the last two years that I want to be able to make more shows to share stuff, but the time I had to do it in wasn’t enough, and the product never felt completely up to snuff. Such is life with a newborn/baby/toddler. If I did manage to make an episode of DC it took up all of my available free time that week to put it together. Now I’m hoping to get back to somewhat regular releases, although I won’t set any schedule in stone.

That’s all the updates for today, I hope you have a holiday that’s slightly better than some of these folks:

Tommy Hestler – Daddy’s Drinking Up Our Christmas
Eleanor Wells – Christmas In Vietnam
Sullivan Family – Merry Christmas From Vietnam
Arlie Brady & The Cavaliers – Christmas Plea
Starla Parrish & The Parrish Bros – Is There A Santa Claus In Vietnam
Dallas McComb – Blind Christmas
Jack Cardwell – Christmas In Vietnam
Lena Hix – I Want My Daddy For Christmas
Bobby Myers – I Want A Mommy For Christmas
Brent Pace – I Won’t Be Home For Christmas
Bob Smith – Lonely At Christmas
Clyde Murphy – There’s A Christmas Tree In Heaven
Billy Egr – What Would Santa Claus Think
Mike Tuttle – Can Johnny Come Over For Christmas
Joyce Brown – Christmas In Viet Nam
Susan Wheeler – A Christmas Prayer
Royel Clark – Christmas Time Draws Near
Jim Eanes – It Won’t Seem Like Christmas
Commander Cody – Daddy’s Drinking Up Our Christmas

LPs on the Database

When Dollar Country started I only collected 45s, it seemed easier and cleaner. Two songs per disc is nice. No picture sleeves, a nice big hole in the middle that helps you hold onto a stack while you flip through. Life was easy back then.

People used to mention how I didn’t collect LPs, I had to turn down so many, but at that point they just didn’t interest me. There’s probably a reason I told people but really I just wasn’t interested in them for whatever reason. At some point that changed because I realized there were a lot of great things on big records and the genres represented were different. In country you’ll always have more than enough 45s. Gospel and Bluegrass are much more LP centered. If you’re gonna spread the word of god you may as well do 30 minutes instead of 6.

So, anyway, things are different now. I’m still picky about country LPs because it’s not really worth collecting stuff unless it’s rare, you can find non-rare stuff in other people’s collections. But with Country Gospel you just have so many options on LP that never made it to a single.

Another thing 45s have going for them is that they’re easy to input to a database, LPs on the other hand have significantly more information. Not just more songs, but more songwriting credits, more publishing credits, more, more more. Personally I also have a check in system for my 45s. Clean them, sleeve them, stamp them with a date, ID number, and source number from where I got it, and now it’s in the collection. LPs take longer to listen to, take longer to log, and take up more space. Now multiply that by a few thousand.

Now that you’ve heard plenty about my feelings towards the different sizes, maybe you can understand why I haven’t put any LPs on the database yet. But I wanted to put them on there, I was just waiting to get my head right. To have the best entry point into it. I made sure the database was ready (there’s a lot of inside baseball for database and info stuff happening here), and I had all the right fields set. Yesterday I put the first full listing up with audio and everything.

This record isn’t special outside of it being the first one. I mean it’s special in the way that any bit of music is special, but I didn’t choose it just for this. I’ve also made the streaming audio into a basic video with the album covers so it’s more like youtube. People seem to like that style of video and something about just having streaming audio felt lacking to me, and maybe to others it did too.

The end goal is to have the website feel institutional in that it’s focused on the information but also not have it feel clunky in the way that many institutional websites feel. Useful in the way that the internet used to feel 10+ years ago and without the constant ads, unneeded widgets, and website features that seem to take away from the actual usefulness of the website. Has anyone else noticed this? It drives me crazy when I want the hours of a business and I have to go to a website that’s mostly scrolling pictures and I can’t just find out when they’re open.

Here it is, I hope you like it. The Byrd Sisters are as good a group as any to start it off. Three Sisters In Jesus, although in real life they’re two daughters and a mother.

Visit the entry here, and keep checking for more.

https://dollarcountry.org/items/show/27946

My First Dig Trip As A Parent

The look of a man who had 6 hours of sleep and then drove 8 hours

Well I finally did it, I left the house. When my wife and I found out we were having a baby I made plans to not make plans for all of 2024. Normally I go out digging for a week once every couple months, but with a newborn I knew I wouldn’t be able to do that, so I didn’t. And then I felt like I couldn’t even after we got the hang of everything around the house. The problem was inside myself and didn’t have to do with my wife or kid, I just felt weird about leaving, I put a lot of pressure on myself. So last friday I dipped my toes in to see what happened.

I had been speaking with Steve Foehner about buying some records and since it’s within a half days drive it was the perfect test trip. The night before I got the feeling I always get, the same feeling I used to get as a kid on christmas eve, excitement in my belly about what’s coming. I woke up early and headed south to West Virginia, stopping at Waffled House for breakfast and a couple goodwills along the way.

It turned out to be a nice day, the weather hit the high 50s and the sky was clear. I ended up at Steve’s around midday and had a great time. He had some boxes picked for me to look through and I ended up buying all of them, as usual. He’s always looking to move things along and I’m always looking to get more, so it’s a good pairing. Visiting other collectors and dealers is one of my favorite things about collecting because we all have different things we like and something to say. Steve is a real music lover, he listens to every record he prices and can recall the song if you ask him about it. I can’t even recall some of the songs I’ve played on my show.

The real prize of the day was the most well known rare country record. Steve had a copy of Psycho by Eddie Noack he had mentioned to me online and I wasn’t really looking for it. I have some bootlegs and the price it usually goes for is enough for me to buy a few boxes of unknown country singles. However when he offered it for what I thought was a very reasonable price I decided to go for it, I wanted to have a copy someday anyway, so now I do.

Another exciting thing I got there was a box of instantaneous discs Steve had been holding onto for quite a while. Like many collectors out there, he had them because they were unique and thought someone should save them eventually, which is my exact plan with my acetate project coming up soon. So now I have another 75 or so discs for that.

After buying 5 boxes of records there I hit the road for Huntington. Steve told me about a record store there that would have more country gospel LPs than I could shake a stick at. Unfortunately when I got to town I found the store being cleared out by a number of people with trucks. The owner had sold the contents via auction and I just showed up on pick up day. So I went down the road to the Peddlers Mall, an antique mall I’d gone to in 2023.

It was the regular stalls of stuff until I got near the end and I found a few boxes of records on the floor. From there I ended up with a dozen or two country things from the area and a couple 45s. Nothing amazing, but for a dollar each they were well worth it. After being gone for over 12 hours I decided it was time to head back.

I hit a goodwill on the Ohio side of the river and found a really great bunch of bluegrass and gospel LPs for a dollar each before heading out of Huntington for Cleveland. Waffle House was my stop for dinner and at about 11pm I landed home with some cool records and a nice day under my belt.

It felt great to be out again although it’s different now because even though it was only one day I missed my family a lot, and I doubt it will get easier, but I also love digging so I’m going to have to do it.

Cheers
Franklin

The Elephant In The Room (or The Importance Of Private Archives)

The Elephant In The Room (or The Importance Of Private Archives)

Well I’m sure many of you have been paying attention to politics in America recently, it’s been fairly difficult to get away from even if you wanted to. Normally I try to have DC be a supportive place without talking specifically about political issues, but this issue I think is very important to what I do and what you’re here for. The next few years we really have no idea how safe our public archives are.

I know a few people who work for public institutions and the general feeling is that we just don’t know what’s going to happen, but the status quo will most likely not remain. If we were to guess based on the massive layoffs and other sweeping financial decisions happening then it’s possible that nearly all federal funding for arts, archives, and other services will be gone.

This means that private archives like Dollar Country are going to be very important. The problem with a private archive is that archiving takes a ton of work and a ton of time, which is why so many archives are based on public institutions. Archives are for the public good, it’s important to preserve and provide access to our history, which is why so many are funded by public institutions or through federal funds.

In 2024 Dollar Country applied for and was granted 501(3)(c) non-profit status by the government in hopes that it would be able to attain grant money from private and public places. Not having the option of federal arts and archive grants in the future is a bummer, but thankfully the DC archive isn’t at risk of losing all funding because it is funded by 100+ individuals who choose to donate.

I consider myself very lucky to have that support for DC, most people don’t have that, and that’s because I’ve spent a ton of time putting in work and grinding it out to get here. So I’m writing this to say a big giant thank you to the folks who have donated and those who continue to do so, and that I know that we may be seeing some wacky things in the next few years that might include job losses and other types of financial trouble. DC has no intention of stopping, and the records I have archived are not even half of what I envision for the future. DC has been amassing records for years knowing that they would go up in price and become harder to get, so there are thousands of records yet to be filed, digitized, and shared! Without funding I’m not sure what will happen to all of these records, but I’ll worry about that if we get there.

I hope those of you that already donate are able to continue to support Dollar Country in the coming years because you all understand that it’s important to be archiving this culture. That being said, I understand if things get tight and you lose income, too.

If anyone out there would like to donate you can join the patreon or donate one time via paypal, cashapp, or venmo (info at the bottom). If you want to donate bigger amounts or know anyone who might want to donate more then please pass along my information or let them know where to find me. All donations are now tax deductible being that DC is a non-profit organization.

As always, the best way to help Dollar Country (besides donating) is to tell someone else about Dollar Country.

Thanks,
Franklin

Donation Information:
Venmo: @dollarcountry
Cashapp: $dollarcountry

Paypal: you can send a donation to host@dollarcountry.org

or use this donation page: https://www.paypal.com/donate/?hosted_button_id=LULUWNS7G4FD6